Geese Over Loch Laich Salt Marsh |
This was the wall I would be painting on - which was much bigger in person than it looked on the initial photo I was sent! I took this photo and drew my design over the top of it on tracing paper to make sure that it would fit the space perfectly. I also planned to use the bricks as a grid, so by drawing my design on tracing paper I could just count the bricks behind the picture and paint the corresponding bricks on the wall. I would later come to learn that this would be the only helpful thing about painting a mural on a brick wall... |
This was my original final design. I would be using masonry paint to do the mural so I used actual colour swatches of the paint (that the lovely people at Colour Supplies let me borrow for a couple of days) to decide on a colour scheme. I wanted to be as efficient as possible because I know what a knit-picker I can be when painting, so if I could simplify the colour process ahead of time it would help speed things up. I chose 10 colours plus white and black, and by mixing those colours I could create about 20 for the final palette. You can see that some elements of this design are different from the finished piece, including two people who were added just three days before I started painting, but I've never once had a finished painting look like I thought it would when I started it, so why should this one be any different! |
Day 1
The first day consisted mainly of painting the wall white and sketching on the design. Liam, the project co-ordinator, stayed to help me paint the wall white and it was a good job he did because it turned out to be an absolute nightmare! The bottom two feet of the wall was missing a lot of cement and was full of deep holes which would prove to be a very time consuming problem throughout the whole project. To add to that chunks of cement keep coming off the wall as we were painting it! I realised at this point that this project was going to be a bit more complicated than I originally thought! |
Day 2
Day 2 was the start of adding in some colour and some further realisations of how much of a challenge the bricks were going to be. Painting a straight line took about three times longer than it would on a flat surface and filling in all the gaps to get a smooth coat of colour added even more time. It felt good to get started, even if I didn't get as far as I thought I would. |
Day 3
Day 4
Day 5
Day 5 was my first day using the scaffolding platform that my Dad managed to borrow for me. I'm not great with heights (and I've realised that this wall is almost at my limit!) but it was a good platform and it felt good to fill in some of the top bits. You may have noticed that the ground in front of the wall now looks a bit of a mess! That's because we had to dig some fairly sizeable holes to level out the platform because the slope is a lot more pronounced that it look in the photos. |
Day 6
Day 7
Day 8
Day 9
Day 10
Day 11
Back up on the platform for day 11 and I finished another stall - Anwar's. This was the day I discovered that I could use the spray paint like regular paint by spraying it into a lid and painting it on with a brush. This was a huge revelation and a big time saver when it came to the small details, particularly the numerous Welsh dragons. |
Day 12
Day 13
Day 14
Day 15
Day 16
Day 17
Day 18
Day 19
Day 20
Day 21
Hidden Details
This was the one that sparked the idea. These tiles, some of which can still be found inside Ty Pawb which is what the People's Market turned into, probably go unnoticed by many but I always loved this design - it almost looks like someone put the tiles in wrong! I painted it on a piece of wrapping paper on my Mum and Grandad's stall. |
The Butcher's Market bull is an iconic symbol of the market. It's carved above the Henblas Street entrance and can be found on the swinging sign on the main High Street entrance. This is probably the most easily recognised of all the hidden motifs. I painted the bull on the book that The Storyteller is holding. |
For the Vegetable Market I chose the swirly pattern of the metal grate about the entrance. I was only four or five when the Veg Market was demolished so I don't have many memories of what it looked like but I found a lot of photos of this doorway so I think it's something that people will remember. I painted the pattern on Edgar's lovely blue tie. |
This one is probably the most obscure motif. The outside of the Butter/General Market has a lot of really nice patterned tiles and brickwork and these flowery ones are my favourite. You have to look up to see these on the market so many people may never have noticed them but I'm sure some will recognise them. I painted these on the teddy bear's box on the the toy stall. |
Who's Who?
I'm very proud of my mural, and the response from the people of Wrexham has been amazing. It's been lovely to talk to people about their memories of the markets, and knowing that my mural will be around for years to come to celebrate those memories is really special. At some point I will be adding my Art Bunny logo at the side of my mural but I wanted to sign my own name too. I didn't want it to intrude on the overall picture so I painted it on the sack of potatoes. |
If you want to see my mural in real life here is where you can find it!
A few weeks ago I painted this new piece depicting a flock of geese flying over the tidal salt marsh of Loch Laich near Appin in Scotland. I painted it from a photo I took whilst standing on the Jubilee Bridge - a wooden bridge built in 1897 to commemorate the Diamond Jubilee of Queen Victoria that crosses the marsh. It took me a week to paint because in my usual fashion I couldn't leave the details alone! I'm really pleased with the result though especially the colours and the dramatic sky (which I changed about ten times!) |
I took the photo for this painting when Sally was younger and I always loved how towering she looked even though she is actually the size of a cat. Sally was almost completely grey at the end except for the end of her tail, and I always forget how ginger she used to be.
We will miss you Sally x x
I'm really proud of this one. I think the texture of both the metal and wood are really effective. It was done from a photo I took many years ago when I stayed at Saddell Castle and I think this image really captures the castle's magic.
It was done in chalk pastels and coloured pencil on brown paper. I've fallen in love with chalk pastels recently, and combining them with coloured pencils is something I've never thought to do in the past but I love the results.
'Autumn Breeze' is done in chalk pastels and coloured pencil and 'Far off Fishing Boat' is just chalk pastels. I haven't worked with chalk pastels in a while but I've noticed that one of my most popular pieces of art the last couple of years has been a simple chalk pastel and coloured pencil illustration I made called 'Sweet Nectar', so I thought I would try and replicate that success.
I really love how both of these pieces turned out. Hair is one of my favourite things to draw/paint, particularly when it's blowing in the wind, and I think this drawing with it's beautiful colours of autumn is so peaceful and dreamy you can almost hear the rustling wind. The boat in the other drawing is the same one that features in my painting 'Weather Coming In'. It was very far away from me when I photographed it (hence the title) which actually helped me be a bit looser with the details as I couldn't really make them out.
One picture from real life and one from my imagination - a very productive week!
Behold! It's an Absolute Gem! For those of you who haven't seen the amazing television show Our Flag Means Death I highly recommend that you do! I made this little illustration in honour of one of my favourite moments from the show - Stede Bonnet in his cursed red velvet suit. I don't often make fan art but sometimes something is so good I just can't help myself. Rhys Darby delivers this line (and every other line) so well that I just had to draw it. The original drawing of Stede I did with coloured pencil and then added the background and text in photoshop. I went through a few different background ideas before I decided to make it look a bit like a treasure map (because Stede was so proud of his) complete with ragged edges and blood stain. It's such a shame that it looks as though this show isn't going to get it's final season (fingers crossed one day it will), but at least I had fun drawing Stede being Stede! This is available to buy as print from my shop. |
Hopefully someone will love them as much as I do and buy them!
Author
My name is Rachel West. I am a freelance artist, animator and cake enthusiast. This blog is an insight into what goes on in my Art Bunny world.
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